Character Analysis - Joe in Toni Morrisons\'s Jazz

The extend on scalawag 130-133 in the story depicts Joes extreme noetic state at the date of his killing of Dorcas. The internal flow rate of consciousness that makes up this segmentation of the book comes just later on the narrator negotiation insidely the changes in Joe from 1917-1925. \nThe extract starts as an almost uncomfortably intimate inspection of Dorcas physical appearance. Joe tells us She had long hair and uncool skin and that he desire it like that; this could show that he likes her imperfections, because it might mean that otherwise people could like her less, allowing him to give up complete ownership everyplace her. There were little fractional moons clustered underneath her cheekbones, which could be indentations from her (or possibly Joes nails) signifying just about sort of harm that has been done. Although in a metaphorical sense, the attach on her face could be the damaging things that swallow happened in her life showing signs on her skin; s he is aging much quickly because of them. The hoofmarks could also have a connection with Joes repeated mentions of tracks and trails; this reading of the extract could see the phrase I tracked Dorcas from borough to borough as if Joe were a hunter, s lecture Dorcas, his prey. On page 120 the narrator is talkinging about a vocalizer and the way the city spins you, suggesting you rumpt get morose the track the city spins for you. The metaphor of the track emphasises the claustrophobia of the city and the item that it can change the decisions a person makes. \nJoe obsessively talks about the track and how it begins to talk to you. This personification is Joe deflecting the responsibility remote from himself. The track makes him gravitate towards Dorcas, and in conclusion Joe finds himself in a herd room aiming a fastball at her heart, past the gun went thuh! The choice of intelligence for the sound of the gunshot is odd, as it is a very easygoing sounding word and does non portray the loud...